Monthly Archives: February 2005

H.G. Wells, "The Grisly Folk"

Primitive humanoid tribes battle for prehistoric earth.

(from H.G. Wells Selected Short Stories)

But first a history lesson. Actually most of this story is really just a museum tour-style pre-history lesson on what we know and what we don’t know about early man and his world. After a lengthy refresher course in antediluvian anthropology, we take a brief and theoretical sojourn into the old old world to walk with a small migrating band of men as they head north into the territory already claimed by Neandertals who, we already know, do not inherit the earth. Poor bastards. But they do get a few good hits in, and eat some human children before they fall to our ancestors with the spears and the necks that turn so much better and sneakier brains.

I like the way Wells was obviously fascinated and dumbstruck by the notion of getting into the heads of those “grisly folk.” Check out this passage:

They[early humans] were still savages, very prone to violence and convulsive

in their lusts and desires; but to the best of their poor ability

they obeyed laws and customs already immemorably ancient,

and they feared the penalties of wrong-doing.

We can understand something of what was going on in their minds,

those of us who can remember the fears, desires, fancies

and superstitions of our childhood.

Their moral struggles were ours — in cruder forms.

They were our kind.

But the grisly folk we cannot begin to understand.

We cannot conceive in our different minds the strange ideas that

chased one another through those queerly shaped brains.

As well might we try to dream and feel as a gorilla dreams and feels.

Read the whole story here.

The narrative elements are presented like suppositions: They probably thought this. They probably ate this. Mostly, this reads like an article in a science journal. Wells, who published this in 1921 in something called Storyteller Magazine, has an obvious affinity for the winning team — “true men” he calls them — but I was hopelessly rooting for the dimwitted, grey-haired, apey underdogs.

Go Eagles.

Andrea Lee, "Anthropology"

A woman refers to her Southern relatives as “black” but, growing up, she knew it was more complicated than that.

(from The O. Henry Prize Stories, 2002)

A smart, unique examination of a cultural curiosity, Southern people whose racial backgrounds are so mixed, they live in a sort of midway race between black and white. They defy easy explanation, and this story — framed as a conversation between two cousins who’ve moved on to more metropolitan lifestyles — tries to define their ways and means without reading like a National Geographic article. It is “anthropogy” we’re dealing with here, but it doesn’t seem like explainable science. Which what makes the daughter’s assessment of her family as “black” an unnecessary simplification. Does that make sense?

Cool story.

I saw Regina Spektor perform tonight. She was so great. Some experiences can just lift the bad feelings right up out of you. Maybe you should play Reginetris.

Amy Day Wilkinson, "Hiding From The Puppet Woman"

Trula wonders if the lady who lives downstairs peeks in through the reverse peephole in CJ’s apartment door.

(from Pindeldyboz Issue 3)

A very short story. First time I read it, I thought it was sort of art schoolly and non-plussing. Then, because it’s so short, I read it again. And I totally dug it. The characters are art fucks, but the story is smarter and less pretentious than I first gave it credit for. Hooray for brevity. Hooray for second chances.

Thomas McGuane, "Ice"

A boy measures his own courage against the cool, cocky mystery of the drum major.

(from The New Yorker, Jan. 24 & 31, 2005)

I like the idea that this A-hole with a big, fuzzy drum major hat strapped to his head is somehow the epitome of cool. The badass loner is the guy who catches the baton at the home games. That is good, solid comedy. Sets the stage for a story set in the real world, but populated for characters who aren’t quite thinking clearly.

This story also does a good job of peering into the decidely un-concrete politics and stupid sexual undertones of high school boys. It’s not really groundbreaking, but it doesn’t have to be. As Jeremy Goodwin once said, “Our goal isn’t to be cunning, is it?”

Stephen King, "Lisey and the Madman"

Lisey sees things in slow motion when a crazy man tries to kill her husband at a groundbreaking ceremony.

(from McSweeney’s Enchanted Chamber of Astonishing Secrets)

So this is what Stephen King is like? I always assumed he was big on ideas, but short on finesse. Like Michael Crichton. (Does he write short stories?] But no, this is an expertly, dashingly told story. Everything moves slow and contemplatively, hiding clues and sneaky details in an excruciating description. Funny too.

So funny and engrossing, in fact that you hardly mind the length (at 30 pages, it’s one of the longer pieces I’ve come across for The Project) and you’re not really sure you’re reading a horror story. I’m still not sure. It might be a horror story the way John Darnielle likes to preface a song by saying it’s a horror story and it’s really a song about two people in temporary love, and the only horror is the mostly unspoken disaster the song never gets around to detailing.

So, Stephen King. Wow. Who knew? A lot of people, probably.